Systems, Networks, and Processes.

My artistic practice operates as a form of research concerned with the analysis of systems, networks, and processes as fundamental structures of contemporary reality. I approach these phenomena not as abstract models, but as operative frameworks that actively shape perception, behavior, and social interaction. Central to my work is the investigation of the mechanisms that regulate such systems, with the aim of making latent patterns, relational dynamics, and structural dependencies perceptible and subject to critical reflection.

My work predominantly manifests in complex, multi-layered installations that integrate digital fabrication, interactive technologies, and sculptural methodologies. These installations function as experimentally structured environments—scientifically embedded rather than conventionally immersive—in which spatial, material, and temporal parameters are systematically articulated. They are conceived to operate simultaneously on aesthetic and cognitive levels, encouraging viewers to reassess established assumptions and to engage with alternative modes of understanding.

The artistic process is exploratory and iterative, grounded in research, experimentation, and reflexive analysis. I understand art as an epistemic practice: a mode of inquiry capable of producing knowledge through speculative, non-linear methodologies that extend beyond classical research paradigms. Projects typically originate from an open research question and evolve through processes of data collection, testing, and critical evaluation.

My practice is informed by a critical reflection on authorship and knowledge production, particularly in relation to collaborative and participatory models. This perspective extends into my cultural and organizational work, where I challenge the notion of the singular “genius” and develop collective strategies that position artistic practice as an enabling framework for shared ideas and socially relevant discourse. Fundamentally interdisciplinary, my work draws on methodologies and insights from sociology, sound studies, computer science, and the natural sciences, with the conviction that meaningful innovation emerges at the intersections of disciplinary fields.